Proving Jeremy Keith’s assertion that the best place to store upcoming posts is the submit button, I see that my 2009 best of is still a draft. Not this year’s! I dug 2010, musically. Definitely several albums came out that will remain on heavy rotation for quite a while. So, in alphabetical order, here’s my 2010 albums of the year:
Arcade Fire: The Suburbs
I said to Leah at some point that this album sums up how I feel about where I live. I dig my house, not sure I like where it is. And this album is that too. 30-something angst , a nuanced look at the suburbs as a proxy for what it is to be older, but still retaining that idealism of a few years earlier.
Beach House: Teen Dream
A dreamy, folk/pop/indie rock album that, if I’m being honest, I’m not entirely sure what it’s all about. But I can’t get enough of the delicately layered textures, the warmth of the sound.
Big Boi: Sir Lucious Left Foot – the Son of Chico Dusty
So this album is probably the most fun album of the year. And really show just how much of a driving force behind the Outkast sound Big Boi really was. Mining the same traditional space as Outkast did, but pushing forward the sound to be contemporary & fun, this album is worth a listen even if you don’t generally like hip-hop (which would include me)
The Black Keys: Brothers
Definitely the album I’ve played the most this year, as evidenced that Liam can now sing along to almost every track. I’d say this is likely my personal favourite of the year. Fantastic bluesy, dirty rock.
Flying Lotus: Cosmogramma
An over-the-top, masterful collage of various elements of techno (Drum’n’bass,house,downtempo), not to mention jazz amongst other genres, this album should be have been an unlistenable mess. Instead I suspect it is the album that producers will be trying to emulate for years to come. Complicated, intelligent music that rewards multiple listens.
LCD Soundsystem: This is Happening
Somewhen, James Murphy learned the art of melody, adding it into his already fairly full bag of tricks to make this album just that much better from his previous. Even silly tracks like ‘Pow Pow’ are somehow more polished than any of his earlier throw-away tracks. And tracks like ‘I Can Change’ continue to sum-up 30-something life better than virtually anyone else.
Owen Pallett: Heartland
Nerdy, both musically & lyrically, this album demands multiple listens paying close attention on headphones. It was a grower not a shower for me – I almost dismissed it after first listen, then, listening again on my headphones walking around town, I discovered both just how bizarre and how incredible it is. Do yourself a favour: find some alone time and dedicate it to this album.
Robyn: Body Talk (Pt. 1 & Pt. 2)
Pop at its best! My total guilty pleasure of the year, although I feel somewhat vindicated by how much love these are getting. There’s also a slew of pretty impresive remixes of a lot of these songs out there. If nothing else, check out both “Don’t Fucking Tell Me What To Do” and “Dancing On My Own”.
Vampire Weekend: Contra
When I first bought this, I didn’t like it much, and I ‘shelved’ it (well, didn’t play it for a while). Then I started hearing “Run” on the radio some, found myself really enjoying it, and this fall, dug it out again. And I’m so glad I did. A much more mature, confident album than their debut, they seem to have embraced their contradictions and found a new phrasing that’s really working for me.
So I know that’s only 9, not the traditional 10, but I’m stopping there. Instead, here’s a few other albums that I liked, but couldn’t figure out how much in order to include them above. Honorable mentions, if you will:
- James Blake: The Bells Sketch/CMYK/Klavierwerke EPs.
- Janelle Monae: The Archandroid
- Neil Young: Le Noise
- Optimo: Fabric 52
- Sufjan Stevens: The Age of Adz
- Girls: Broken Dreams Club
- Holy Fuck: Latin