Albums of the year – 2017

[note: you can see my previous editions in the Albums of the year tag – also, I’ve embedded the playlist (of a top 20, but I won’t discuss them all, below].

So, like other years, here’s the top 10, in alphabetical order by artist.

Arcade Fire – Everything Now

I really wasn’t sold on this album on first listen. It came out while we were in Germany, so got a lot of play in the car…and, well, nothing really stood out. But then I saw them in concert this fall & I got it. This is a live album. The songs, all fine in headphones, suddenly come to life in concert. Playing them loud on a good system is also rewarding as there’s a lot of depth and subtleties to the tracks. It quickly went from an also-ran to an absolute favourite this year.

Julien Baker – Turn Out the Lights

Perhaps the most achingly personal album of the year. Julien Baker’s songs of ache, longing and defiance as she deals with the fallout from (if I understand correctly) turning to sobriety is both sad, gut-wrenching and incredibly powerful. Weirdly, despite the material, I find it  a hopeful album. Defiance in face of terribleness that really suited 2017. It’s a turn-out-the-lights (oh, i see now!), put-on-the-headphones and just dive into this incredible world kind of album.

Beach Fossils – Somersault

This album is a departure, growth even for this band. Long a jangly-indie-pop outfit that to me always felt a bit like a poor-man’s Real Estate, this album features lusher arrangements and a growth in instrumentation. This makes for better songwriting and thoroughly enjoyable, if perhaps safe, record. This album really grew on me through the year, after my initial uncertainty.

Kendrick Lamar – DAMN.

Kendrick’s second time on my best-of-year list, and, the second rap album since Madvillainy to end up on endless repeat for me. I don’t know what I can say that hasn’t been better said elsewhere, but after the importance of To Pimp a Butterfly, how amazing to watch this artist turn inwards and produce perhaps an even better album.

Lorde – Melodrama

Pop perfection. Amazing lyrics. Stunning production. My guess is this is one of 3 albums (DAMN. & Sleep Well Beast being the others) that will remain in heavy rotation for years to come.

The National – Sleep Well Beast

I wasn’t sure what this album would be like – after their last, the band sort of dispersed and pull out side projects including producing (and contributing to) the amazing Day of the Dead Grateful Dead covers album. And it turns out that they came back refreshed, willing to experiment with new sounds and time signatures and just knock it out of the park. It’s an uneven album, but where it works, it really, really works.

Slowdive – Slowdive

Well, they’re back! and.. and it is really, really great! It should probably be noted that either you like shoegaze or you don’t, but this is both classic Slowdive and perfectly of the moment.

St. Vincent – MASSEDUCTION

New York is probably my favourite track of the year. I don’t know if it is about David Bowie, but it is who I think about whenever I play this song. A long time ago, I wrote about using music to find focus, and last year I got around to making a 5-song playlist that I update from time-to-time with music I want to hear over again that helps with this. That track was added this year. The rest of the album is pretty great too. She’s high on my must-see list, but somehow, never tours where I am. One day!

Vince Staples – Big Fish Theory

The most fun album of my set this year. So much going on. Club-ready tracks with a memoirist’s eye for detail in the lyrics, there’s something for everyone here – shut up and dance, or sit down with headphones and really focus.

The War on Drugs – A Deeper Understanding

I’m not sure anyone in rock spends as much time on production as The War on Drugs. Sumptuous, lush, ephemeral, fuzzy – all words I’ve variously used to describe this album. I love to put this on and just kind of float off on the music.

 

 

 

 


Also published on Medium.