Vancouver Jazz Festival iPhone App

This year, the Vancouver Jazz festival added a new tool for all its attendees to use: a “Mobile Companion”, for the iphone (free, from the app store [NB: iTunes store link]). This is probably the first (that I’m aware of) of innumerable related apps. I fully expect that every major, and shortly, even minor festivals, will have a similar app. It just makes sense.

When you first open the app, after asking for your location, it’ll update with the current schedule, and present you with a screen like this:

Jazz Fest Mobile Companion main screen
Jazz Fest Mobile Companion main screen

With this, I can quickly find what’s happening right now, what’s happening soon and how far it is from me so I can guess whether I can get there.

If I click on an event, I get another screen with info on the show itself:

The Event Details Screen
The Event Details Screen

This allows me to quickly see who’s playing, the cost, where it is and gives me links to the 2 things I’d want to do next: 1) phone for tickets or 2)find out how to get there (as an aside, the only major improvement I’d like to see is a almost-real-time count of the number of tickets available, even if it was “less than 100 seats left!” or “nearly sold out!”, rather than a specific count.

Of course, because your on an iPhone, the map is even more useful, because with 2 more clicks, you can directions to where you want to go, in the means of transport of your choice:

How to get to the venue
How to get to the venue

This is extremely useful for any multiple venue’d event, such as the jazzfest, the film festival (imagine the unwieldy Vancouver Film Festival Guide, digitized on your phone, along with movie descriptions directions, times, links to purchase tickets, etc.). It would likly prove just as useful for single-venue events like Sasquatch, or Pemberton – live-to-the-second updates of who’s on which stage, maps to bathrooms/vendors, etc.

Give it another couple of iterations, and tying in these apps to things like twitter for real-time interaction will be easy, seamless and make it possible to interact with the larger digital realm. I’d love to see a couple more links on that Jazz Fest details page: This event on Twitter/Facebook/Flickr/YouTube/(whatever) that opens up a search results, in the app that displays relevant results, and perhaps gives an interface to contribute to it as well.

My Random Band & Album Name

This is another one of those Facebook memes going around, but it was easy and fun, so I’m joining in.

Hamilton Amateur Athletic Association
Hamilton Amateur Athletic Association (Photo Credit: Jo's Fo's)

Here’s how to play along:

  1. Go to “wikipedia.” Hit “random” or click http://en.wikipedia.org/wiki/Special:Random
    The first random wikipedia article you get is the name of your band.
  2. Go to “Random quotations or click http://www.quotationspage.com/random.php3
    The last four or five words of the very last quote of the page is the title of your first album.
  3. Go to flickr and click on “explore the last seven days” or click http://www.flickr.com/explore/interesting/7days
    Third picture, no matter what it is, will be your album cover.
  4. Use photoshop or whatnot to put it all together.
  5. Post it with this text in the “caption” and TAG the friends you want to join in.

Free Chor Leoni Concert!

From Chor Leoni, a client of mine, and an astounding choral ensemble:

As part of Chor Leoni’s commitment to encouraging young men to sing, the choir invites you to attend a free mini-concert. This concert will include the young men of PROMYS (PROgram for Mentoring Young
Singers) who will have spent the afternoon singing and rehearsing with Chor Leoni.

The programme features Chor Leoni and the PROMYS men singing together, as well as a bonus set highlighting the repertoire Chor Leoni will perform at the upcoming 50th national convention of the
American Choral Directors Association in Oklahoma City.

A free, hour-long concert before dinner on a winter’s afternoon – it’s a delightful way to spend time and help encourage young men to sing!

Saturday, February 7, 2009 4:30 pm – 5:30 pm
Shaughnessy Heights United Church
1550 W. 33rd Ave Vancouver BC
information 604.999.6153

FREE ADMISSION!

If you’re a high school aged young man and would like to join Chor Leoni for the PROMYS workshop that precedes the mini-concert, there’s still time to join us!  The workshop starts with registration  from 1 – 1:30 pm and runs from there until the end of the mini-concert. Music! Snacks! Good times! We look forward to singing with you.

My Top 10 Albums of the Year, 2008

I missed out on doing this last year – I don’t recall why, but I’m sure I had a good reason. Or not. Nevertheless, it didn’t happen, and much to my surprise, people complained. So it’s back this year. If you’d like to see my previous “best of” lists, you can find them here: 2006, 2005 & 2004.

This year was a pretty good year for music that I like – a good mixture of rock, pop and techno all came out this year. I also moved, and now have more time to listen to music on my commute, so I’ve been very appreciative of it. So, without further ado, here’s my best albums of the year, in alphabetical (by artist) order:

Beck - Modern Guilt Beck – Modern Guilt

I think that this is the album that “The Information” was trying to be – introspective and serious – meditations on loss and death. With Danger Mouse producing, Beck’s tendancy to play with historical genres never overwhelms the songs themselves. An exquisite disc that rewards a close listen in headphones – both for Beck’s signature imagery as well as the music itself.

Buy it from Insound

The Bug - London Zoo The Bug – London Zoo

Welcome to dubstep, everyone! A potentially crass cashing-in on the rise in popularity of a sound he helped create, Kevin Martin ends up delivering one of the most polished techno albums in years. While clearly aimed at radio, what with clearly defined 5-minute tracks, it’s a pounding disc that I can’t get enough of. Like much of the music I liked this year, it’s simultaneously a subtle disc, with new layers of sound revealing themselves only with a careful listening. That being said, I defy you to listen to this and NOT want to dance.

Buy it from Insound

Clark - Turning Dragon Clark – Turning Dragon

Techno of a completely different variety infuses Clark’s ‘Turning Dragon’, possibly some of the most complex techno I’ve heard since Plastikman way back when. Agressively dirty in sound, there’s still seemingly endless strands of loops, clicks, whirrs, bleeps and the like fading in and out of this disc. Played loud on crappy speakers this hearkens back to 90’s industrial (that’s a good thing), but use good headphones/sound system and you’ll be rewarded not only with crunchy techno, but also wasps of much more ephemeral sounds as well, creating a fascinating, but also somewhat unsettling soundscape.

Buy it from Insound

Fleet Foxes - eponymous Fleet Foxes – Fleet Foxes

Sweet, nearly choral folk unlike anything else I’ve heard lately, this album, for all its quiet wonderment, exploded into the scene this year. Of all my picks, I suspect that this will a)show up on the most other top 10 lists and b)be the most divisive. I’ll warn you now – if you loathe CSNY or the Beach Boys, you’ll not like Fleet Foxes. That being said, they seem to sum up where a lot of more richly layered folk sounds of late (including the psych-folk types like Devendra Banhart) have been aiming for. Exquisite harmonies and rich, traditional arrangements make this album unmissable.

Buy it from Insound

Lindstrom - Where you go I go too Lindstrøm – Where you Go I Go Too

This album claims the prize for “most unexpected” this year. I was expecting a mellow, ambient album, and instead, while still in the realm of ambient, it’s got a foot firmly in the world of disco. And somehow, it works. This has quickly become a favourite of mine for when working late – it blends into the background when I need to concentrate, but when I focus on it too, there’s enough going on to reward the ears.

Buy it from Insound

Santogold - eponymous Santogold – Santogold

Apparently, Santogold comes from A&R, has written tracks for Ashlee Simpson, but Diplo is listed as a producer. Those seeminly irreconcilable worlds come together to great effect on her debut, which is something like a journey through the past – sampling a little bit of new wave, global hip-hop, dance pop and more. Through it all, Santogold holds it together with her voice and excellent songwriting. She reminds me somewhat of “Mutations”-era Beck – playing with different genres to find a wholly new one all her own.

Buy it from Insound

TV on the Radio - Sounds of Science TV on the Radio – Sounds of Science

I’m not sure I can say anything effusive about this album that hasn’t been said by critics before, but let me just say this: this is a nearly perfect indie-rock album – it’s optimistic, forward-looking, musically dense, lyrically obtuse, both catchy and somehow austere at the same time. This album might like the Pet Shop Boy’s “Very” – so good tht TV on the Radio should never make another album, as it will likely pale in comparison.

Buy it from Insound

Vampire Weekend - Vampire Weekend Vampire Weekend – Vampire Weekend

This album came out early in the year and is already suffering some backlash, but I unabashedly love this album: it’s catchy, you can sing along to it, it has a new(/old) sound and is nerdy – the album contains one of my all-time favourite lines “Who gives a fuck about an oxford comma?”. This album was on repeat more than any other this year in my playlist, and despite hearing it everywhere, I still haven’t tired of it, which bodes well for its future.

Buy it from Insound

Chad VanGaalen - Soft Airplane Chad VanGaalen – Soft Airplane

CVG reminds me of Neil Young in all the good ways – fragile, plaintive, delicate and dark, yet somehow never depressing, but rather, uplifting. He’s also a master instrumentalist and crafts some of the more elegant soundscapes you’ll likely ever hear, mixing in seemingly a million different instruments, off-beat percussion, and then, just when you think it might overwhelm the song, he pulls it all back until you’re left with just him and his guitar.

Buy it from Insound

Walkmen - You and Me Walkmen – You & Me

The Walkmen are a band that have slowly, but surely, grown on me – I wasn’t a huge fan when I first heard them, but I’ve liked them more and more with each listen and each album. You & Me was no different. My first reaction was “Meh” – it felt a little like they were channeling The National – and I still think they are to some degree – for a band that was known for devolving (in the best sense) into noise rock on a regular basis, this is an incredibly tight, controlled album. The exquisite production on this album still makes me believe that this songs will travel well, and simply opens up new doors for the Walkmen live – keep it soft and controlled or let loose as they’re known for – this collection certainly supports both directions.

Buy it from Insound

That’s it for this year! Let me know what albums you think I’ve missed in the comments.

The Boss

Last night at GM Place, one of my life’s dreams actually came true: I saw Bruce Springsteen & the E Street band play live. It may not be the most aspiring of dreams, but it was one of mine, as I’ve been a huge fan, much to the scorn of many friends, ever since I was a little kid listening to my brother’s copy of Born in the USA on the record player at home [note: It may actually have been my folks, or my sister’s, but Stuart does seem the most likely owner of that album].

I had planned to twitter the set list as the show went on, but, 3 songs in, I was so engrossed in the stellar performance I simply forgot. It was pure, basic rock’n’roll at it’s finest. The man (and his band) may nearing 60 years old, but he plays with such, such wild abandon and such intensity that he comes across as fierce as I’ve ever seen. His voice is a little hoarser, and loud notes are shouted rather than sung, but it really doesn’t matter when he’s yelling “Baby we were born to run”.

The E-Street band are so tight it’s scary. The only act I’ve seen that is comparable is Crazy Horse, Neil Young’s sometime-backing band. It’s an apt comparison, I think, given that their stage acts are very similar, despite the very different temperaments of Neil Young and Bruce Springsteen.

The show was your standard late-career-rocker mix of new album material (not a bad choice, as Magic is fantastic) and older fan favourites, with a pair of obscure tracks to please the fanatics (he dug up an outtake from Born in the USA for one track, at the request of someone he ran into the previous night who’d been following the tour around).

Rock’n’roll bliss!

Interpol @ The Commodore

The Interpol show last night had a curious set-up last night: In addition to the usual sound-board at right in the Commodore, it appears that Interpol required their own soundboard, which was set up at the back of the dance-floor. There was additional sound/lights crew on the stage as well, which seemed to me to be an awful lot of technicians for one band.

The show itself was … good. Not fantastic, not terrible, just kind of standard. See, here’s the thing. Interpol is such a good band, and they play so well, it was a great show. But I could probably just have stayed home and listened to the tracks on CD – there was no acknowledgment of a live performance by them, apart from a couple of brief hellos and thank yous. No deviation from the song. No obvious gaffes, no real showmanship (notable exception: the bassist, who looks like he belonged in Deadwood, was a total rock god with his axe, holding it aloft as he plucked the rhythm). But at the same time, I totally enjoyed it. I suppose it was a little like attending a good, but not mind-blowing symphony. The music was excellent, the craft was evident, but there was nothing to take it to the next level that we all want to experience – there was no “shared moment” last night.

Physical effects of music

It’s no secret I’m a music lover. As a result, it’s probably no surprise that music that I listen to has direct effects on my mood – both to pump me up, mellow me out, what-have-you. There’s one band, however, that has a bizarre physical effect on me: listening to their music makes me nauseous. Which is not a good thing. Intellectually, I really like the music. It’s intensely minimal techno, really more of soundform experiments than songs.

The particular album is Alva.Noto’s Transform – a series of low-octave note patterns exploring the “essence” of techno to some degree. How few clicks, beeps, pops, etc, does it take to form a song? Well, it turns out very few, and yet there’s still a lot going on in there. I’ve discovered, however, that I can’t listen to it, no matter how much I want to. In particular, “module 10” (all the track’s are simply called “module X”, where X is the number of the track on the album), barely 30 seconds in and I can feel this horrible weight pressing down on me. I find my breathing becomes laboured, and moments after that, this awful churning starts in my belly and I feel like I may vomit. It’s an incredibly intense experience. It reminds me somewhat of the panic of drowning, as a wild-animal panic threatens to overtake me and force me to rush to the surface. And I really do feel like it’s surface I need to find…surface above the sound, or something, I’m not sure exactly, but I do feel this need to escape.

The Police

So I really want to see The Police reunion tour. And so I dutifully signed up for the Best Buy newsletter to get the chance to get presale seats. And then when that first day came along, and I tried to get tickets, I couldn’t. No pair of tickets available. So then I tried during the general sale. All Sold Out. But then they added a new show, and today at 10AM, there were supposed to be another bunch of presale tickets released (And indeed, there were). So this time, I got online right at 10AM and tried to get a pair of cheap(ish) seats. Nothing. So then I tried a pair at the medium price. Nothing. So then I tried one at any price. And there are lone tickets available. For $225!!! Which is just flat out ridiculous. The Police are not worth that much. I can’t think of any event worth that much to me. I was even griping about the $60, but was willing to make a one-time exception to go up to $95. But not $225.

So here’s my thing. How is it possible that in the 45 seconds it took me to fill in the form, and for it to return the first (non) match, that all the available cheap seats were gone? And why, Ticketmaster, why can I only select “Best Available” and not “cheapest available” when searching for tickets? Grr.

Stymied three times, I’ve given up on seeing The Police now. Well, maybe I’ll brave the general release on the weekend, but probably not.

Coachella 2007

Have you seen the line-up for Coachella 2007? Have you? Man. What I would do to go that. It’s near Palm Springs & Joshua Tree, apparently. I wonder how hard it would be to get there….I had been considering going to Joshua Tree this fall…. Maybe I could mix it in with a trip to visit family in LA….of course, if I want to go away this fall, I probably shouldn’t go away this spring…damned money! Why couldn’t it grow on trees? Of course, imagine the inflation every spring if money did go on trees…..

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